導演:HUI
主演:Poyan 高登·平森特 道基·麥康奈爾 川上麻衣子 Sonya 伊藤靜
『女婿上門(men)』劇情(qing)簡介:清華大學教授、中(zhong)國(guo)(guo)(guo)電(dian)(dian)(dian)影(ying)家協會(hui)副主(zhu)席、中(zhong)國(guo)(guo)(guo)電(dian)(dian)(dian)影(ying)評(ping)論學會(hui)副會(hui)長尹鴻指(zhi)出(chu),中(zhong)國(guo)(guo)(guo)電(dian)(dian)(dian)影(ying)目(mu)前(qian)的(de)(de)狀態是:產業遇到(dao)寒冬,創作遇到(dao)暖(nuan)春,十幾(ji)年來中(zhong)國(guo)(guo)(guo)電(dian)(dian)(dian)影(ying)沒(mei)有(you)出(chu)現(xian)像今(jin)年這(zhe)(zhe)樣好(hao)的(de)(de)創作成績,電(dian)(dian)(dian)影(ying)市(shi)場(chang)(chang)趨于(yu)成熟,觀眾享(xiang)受到(dao)了十幾(ji)年來電(dian)(dian)(dian)影(ying)界改革的(de)(de)實(shi)(shi)踐成果,今(jin)年是中(zhong)國(guo)(guo)(guo)電(dian)(dian)(dian)影(ying)的(de)(de)大年,往年評(ping)五部(bu)國(guo)(guo)(guo)產片(pian)都(dou)很勉強,今(jin)天評(ping)十部(bu)優秀影(ying)片(pian)還(huan)有(you)遺珠之憾,2018年的(de)(de)中(zhong)國(guo)(guo)(guo)電(dian)(dian)(dian)影(ying)成績的(de)(de)表現(xian)首先是現(xian)實(shi)(shi)主(zhu)義(yi)創作大有(you)成效(xiao),特別是主(zhu)流的(de)(de)現(xian)實(shi)(shi)主(zhu)義(yi)作品(pin),這(zhe)(zhe)種現(xian)實(shi)(shi)主(zhu)義(yi)與以往的(de)(de)懸浮式現(xian)實(shi)(shi)主(zhu)義(yi)和(he)邊緣現(xian)實(shi)(shi)主(zhu)義(yi)拉開(kai)了距離(li),象《我不是藥神》這(zhe)(zhe)種現(xian)實(shi)(shi)主(zhu)義(yi)影(ying)片(pian)既(ji)被(bei)市(shi)場(chang)(chang)認可,又傳(chuan)達了主(zhu)流價值觀,讓(rang)廣大觀眾覺得社(she)會(hui)在進(jin)步,生活在發展。除此之外,今(jin)年的(de)(de)中(zhong)國(guo)(guo)(guo)電(dian)(dian)(dian)影(ying)中(zhong)還(huan)有(you)形而上的(de)(de)寓言式電(dian)(dian)(dian)影(ying)的(de)(de)出(chu)現(xian):《邪不壓正(zheng)》《一出(chu)好(hao)戲》《無名之輩(bei)》等一些作品(pin)的(de)(de)藝術深度有(you)所提(ti)升。中(zhong)國(guo)(guo)(guo)電(dian)(dian)(dian)影(ying)的(de)(de)文學性(xing)比以往任何時候都(dou)高(gao)。